Review of Chinese Philosophy Master of young William Shakespeare2

[Review of Chinese Philosophy Master of young William Shakespeare]


[中国哲学大师评论青年莎士比亚]

Made by a Chinese poet fengwenshusanglin in English

由中国诗人-冯文淑-桑林作英文






Also, in order to Shakespeare noble, beautiful soul personality point of view, Shakespeare did not want to lower their great personality and spirit, to flatter, climbing knot power and privilege

并且，以莎士比亚高贵，优美心灵的人格来看，莎士比亚是不愿意降低自己的伟大人格和精神，去吹捧，攀结权贵，


We believe that at the time, Shakespeare had insight into all of human civilization and progress, was human's self-sovereignty will this world greatest dignity God creates

我们认为，在当时，莎士比亚已经洞察了人类的一切文明的进步，是人的自我主权意志这人间最伟大尊严的神灵造成的，

therefore Shakespeare with own complete strength, the observation, the exploration, ponders and expresses person's self-sovereignty will,In their own works

所以莎士比亚用自己的全部力量，观察，探索，思考和表达人的自我主权意志，在自己的作品中，



In London, the Shakespeare Theater in London and do Handyman at first ,and later employed on the actor,Idle-time study desperately ,creative, has finally become a theater writer and actor, and became the theater of shareholders.


在伦敦，莎士比亚起初在伦敦的剧院打杂，后来当上了雇佣演员，业余时间拚命读书创作，终于成为剧团编剧和演员，并成为剧团股东。


We to Shakespeare's works, carefully exploring, the result which pondered, had discovered Shakespeare's work, be called a song, to express the human self-sovereignty will characteristic encyclopedia,
我们对莎士比亚的作品，精心探索，思考的结果，就发现了莎士比亚的作品，称得上是歌唱，表达人类自我主权意志特性的百科全书，

Shakespeare created an early (1590 - 1600), mainly in poetry , historical dramas and comedy. There are historical drama "Henry IV," "Henry V", "Henry VI" and "Richard III" and nine plays.
莎士比亚创作的早期（1590——1600），主要以诗歌、历史剧和喜剧为主。历史剧主要有《亨利四世》、《亨利五世》、《亨利六世》和《理查三世》等九部剧作。
Young Shakespeare most powerful, irresistible self-sovereignty will, must seize the social power, fame, creates the great happy enterprising spirit for the humanity,

年轻的莎士比亚的最强大有力，不可阻挡的自我主权意志，要攫取社会权力，功名，为人类创造伟大幸福的进取精神，
in the historical drama king, on the heroic body can concentrate the development. play opposes to split Britain, The military division of Homeland, supports the centralization the thought ，Also complied with Queen Elizabeth to unify Britain's political ambition,

在历史剧中的帝王、英雄身上得以集中展现。剧中反对分裂英国，军阀割据，既顺应了伊丽莎白女王一统天下的政治野心，

and has demonstrated humanity's self-sovereignty will, to the highest pursuit of social power，but also for the pursue world progressive young people, set up the human self-sovereignty will highest idol standard, life style, .

又展示了人类的自我主权意志,对社会权力的最高追求，还为追求世界进步的青年人，树立起了人类自我主权意志的最高偶像的标准，生活的风格，

History is the Violence hierarch s’mistress, humanity avoids the violence hierarch，Also wit to combat, suppress the mistress’s husband，
历史是强权的姘头，人类规避强权，却能够机智地打击，压制这姘头的丈夫，

Shakespeare's first choice for himself, from the historical drama into the art - cultural circle，
历史是强权的姘头，人类规避强权，却能够机智地打击，压制这姘头的丈夫，莎士比亚首选自己，从历史剧进入了艺术-文化圈

In this way, Shakespeare not only wit combat, suppression of this mistress ’s husband，Also has shunted the violence hierarch to Shakespeare's persecution,
这样，莎士比亚既机智地打击，压制了这姘头的丈夫，又躲开了暴力掌权者对莎士比亚的迫害

has not let the violence hierarch the lackey, found attacks Shakespeare's excuse，
没有让暴力掌权者的爪牙，找到攻击莎士比亚的借口。
At that time, Really “in ruling clique's cultural elite 's leader” Robert · Grimm ,Is unable to catch itself to attack the Shakespeare play's reason ,

在当时，果然“统治集团内的头号文化精英”代表罗伯特·格林，抓不到自己攻击莎士比亚戏剧的理由，
Robert Green had to twist his face angrily and cursing the Shakespeare was“obtains the great wealth crow suddenly ......Tiger and wolf hidden in his heart......he was a true handyman, but shamelessly，”
愤怒地扭歪了自己的脸的罗伯特·格林，只好咒骂莎士比亚是“一只突然得到巨大财富的乌鸦……藏着他的虎狼之心……他是个地地道道的干杂活的，却恬不知耻”。
1By this view it, when Robert · Grimm individual social position, receives Shakespeare's historical drama shaking, the "elite accomplishment," “the gentry demeanor” this Props,

以此观之，当罗伯特·格林个人的社会地位，受到莎士比亚的历史剧的撼动时，“精英修养”、“绅士风度”这道具，

May discard completely , so hysteria, naked， vent oneself innermost to Shakespeare's disaffection.

就可以完全丢掉，以便歇斯底里的，赤裸裸地，发泄自己内心的对莎士比亚的不满。

By the historical drama demonstrated successfully humanity's self-sovereignty will, with the political aspiration, resourcefulness combat, ,suppression of this mistress's husband,

以历史剧成功地展示人类的自我主权意志，和政治抱负，机智地打击，压制了这姘头的丈夫，

demonstration of Shakespeare's self-balance wisdom ability, Surpass contemporary culture of the big lucky elite,

足见莎士比亚的自我权衡智慧能力，优于同时代的大走运的文化精英，
Now, some people still use Shakespeare, not into the Oxford, Cambridge, read the book, there is no distinguished family background that two, to question Shakespeare's achievement.

现在依然有人拿莎士比亚没有在牛津、剑桥读过书，没有显赫的家庭背景，质疑莎士比亚的成就，

If they to the world in these most big man's diploma, the family background, Had the understanding , will discover that oneself suspected Shakespeare's ability,oneself are how ridiculous, stupid,As ignorant as a child



若他们对世界上那些最伟大人物的文凭、出身，有了了解，就会发现自己怀疑莎士比亚的才能，是多么荒谬、愚蠢，像小孩子一样无知，

Many people of Shakespeare's works, wrote a paper, get high-level titles, becoming a popular cultural elite.
不少人为莎士比亚的作品，写了论文，得到了高级职称，成为走运的文化精英。

Mr ，Do not you see, China's Qing Dynasty novel "Dream of Red Mansions", author Cao Xueqin, Although Lonely， the down and out of life , but studies this “"Hong Lou Meng" the Red studies”,Has created a lot of cultural elite.

君不见，中国清代的小说《红楼梦》的作者曹雪芹，虽然落魄一生，但研究这“《红楼梦》红学”，却成就了不少文化精英。

Certainly, the big man himself has becomes big man's many kinds of Reason，That kind “good lie”--Wants to drive the common people，youth's self-sovereignty will s‘Initiativeness ，
当然，伟大人物自己具有成为伟大人物的多种原因，那种为激励平民，青年，少年的自我主权意志的进取之心，

But that kind said the big man not own beginning platform----This “good lie”, also undesirable. Is not true of the good, isdeception.
但那种说 伟大人物没有自己的起点平台----这“善意谎言”，也是不可取的。无真之善，就是欺骗，
Comedy ，Is to make the audience smile of bitter Balance choice. The Shakespeare early time creation's comedy has more than ten, mainly has "a Midsummer Night of Dream", "the 12th Night", "the Venetian merchant" and so on
喜剧，是让观众在辛酸的微笑中权衡抉择。莎士比亚早期创作的喜剧有十多部，主要有《仲夏夜之梦》、《第十二夜》、《威尼斯商人》等。
Irony is that the comedy of life,majority comedies satirize that fetter-----Constrain person's self-sovereignty will of formidable social power,so that a strong social power were disgraced，For the oppressed the weak and create a happy illusion,
讽刺是喜剧的生命，大多数喜剧都是讽刺那束缚-----压抑人的自我主权意志的强大的社会权力者、使强大的社会权力者丢丑，为被压迫的弱者创造开心的幻象，

Stimulate the weak one against the injustice that a strong social power 's life of courage, confidence, and strength,
激发出弱者反抗那非正义的强大的社会权力者的生活勇气，信心，力量，

Let the weak one to establish own belief is bound to win ，To avoid danger, wit to resist attacks, weakening the violence ruler's strength，iIs the self-sovereignty will life ’s instinct.
使弱者树立起自己必然胜利的信念。规避危险，机智地反抗，削弱暴力统治者的力量，是自我主权意志生命的本能。

Fairy tale suitable for children, comedy appropriate for young people, jokes, cartoons, humor and satire inspecially attractive to young people's eye.
童话适于儿童，喜剧宜于年轻人，笑话、漫画、幽默与讽刺特别吸引青年人的眼球。

Jokes happily the ridicule, is wing plentiful to fetters thing of the self-sovereignty will to tease, to challenge and conquers. Therefore, the young Shakespeare early time creation starts from the comedy, to have its inevitability，
喜谑嘲弄，是羽翼丰满者对束缚自我主权意志之物的挑逗、挑战与征服。因此，年青的莎士比亚早期创作从喜剧开始，有其必然性，

The poetry creation, Can be directly explained, Expresses the self-authority desire function, Self-balance wisdom ability, with self-authority physical ability this “three dimensional body” human self-sovereignty will characteristic ，
诗歌创作，可以直接阐释，表达自我权力欲望机能、自我权衡智慧能力，和自我权力体能这“三位一体”的人类自我主权意志特性。

Language arts, with a direct interpretation of poetry to Expresses the human self-sovereignty will characteristic， can achieve the highest effect most quickly.
语言的艺术中，用诗歌直接阐释，表达人类自我主权意志特性，能最快地达到最高效果。
Shakespeare early time creation ’ s Crowning Work, is the long poem "Venus and Adonis", "Phoenix and the Turtle Dove" With 154 sonnet in overwhelming majorities.
莎士比亚早期创作的代表作品，是长诗《维纳斯与阿都尼》、《凤凰与斑鸠》，和154首十四行诗中的绝大部分。
2009-6-30 Final review to determine the draft in Zhanglu the thatched hut Shoboo
2009-6-30审定于帐庐庵书斋